/ AUDIO PORTFOLIO
Organized by what the scene needs to feel.
Not by genre. Not by format. Each piece is catalogued by the specific emotional intent it was composed for.
A director doesn't come looking for "action music." They come with a scene where the character crosses a room and something has to break inside. That's an emotion, not a genre.
Why emotion, not genre
Every piece documents the context of the scene and the emotional function it was written for. Genre doesn't define the music - the scene does.
EMOTIONAL CATEGORIES
Melancholy
Intimacy
What's no longer there still takes up space.
Music for moments where emotion can't be said with words.
Hope
Epic
It's not the happy ending. It's the moment before believing it's possible.
Grandeur isn't volume. It's the feeling that something momentous is about to happen.
Action
Tension
Action isn't noise. It's rhythm with direction. Every hit has a reason within the scene.
The silence before the fall. Music that makes the viewer hold their breath.
Mystery
Atmospheres
What you can't see but can feel. Questions the scene hasn't answered yet.
Music for the space between words. For what the character doesn't say.
Drama
The emotional weight of the decisive moment. When everything that matters is decided in an instant.
Have a scene in mind?
The starting point is always the scene, not the budget. If you know what the moment needs to feel, we already know where to begin.